On November 27, 2024, Mexican cinema is one of the most emblematic figures: Silvia Pinal. The act that led to complications in a Mexico City hospital 93 years ago is widely considered the ultimate great diva of Mexican cinema. If we look at a point of reflection in the cultural history of the country, it is the capital of an era that has become definitive film nationally and internationally.

Silvia Pinal is not a solo star of her acting talent, but has developed her abilities to reinvent in various medium-terms as theater, television and politics. Your international recognition of the man director Luis Buñuel, how the direction goes in the iconic icons: Viridiana (1961), El ángel exterminator (1962) j Simon del desierto (1965). Not only is it possible to consolidate your carrera, but Mexican cinema is now becoming a new world of global reconocimient.

With more than 80 television films, 42 theater audiences and 33 television productions, Pinal is an undeniable artistic legacy. Like an embargo, your life is marked by personal tragedies, as the muerte of your Viridiana at 19 years and the breaking of a nota of this name and an accident. Like this trayectoria If you can extend the last years, you can see a symbol of dedication and love for art.

Silvia Pinal’s party has thought a lot about the figures that have lasting life and who are part of life cine de oro mexicano. There are countless legacies that are undeniable, but there are also other records that represent this century.

Ana Luisa PeluffoOn October 9, 1929, 94 years ago, it became one of the great figures who contributed to Mexican artistic cinema.

While the 1950s emerged in the fifties of the last century, the marcada was characterized by the valentine of the papeles by the standards of the Conservators of Time, who had become a pioneer of the cultural cambio in the national cinema . His cinematographic debut is in Tarzán y las sirenas (1948) as an extra, but the fast leading man is rewarded with his carisma and acting talent.

While our películas are disappearing more and more La fuerza del deseo (1955), interpreted one of the first years of artistry in Mexican cinema, an idea that made Mark a hit in the history of national cinema. This film consolidates its images as an acting performance and comprometida with the evolution of cinematic storytelling. Later, great overall as a drama, terror and adventure film, beautiful The vampiro (1957) one of his more recordings for classical cinema.

Peluffo participates in most of his career más de 200 peliculasI see the conversation has begun with one of the more prolific actresses of Mexican cinema. Your ability to interpret complete personas and sustain your position as an artistic referent in the industry.

Elsa Aguirre, September 25, 1930 marked the 94th anniversary of one of the most emblematic actresses of Mexican cinema. His career came in 1946 when he became an adolescent, described under his hermana Alma Rosa Aguirre. As Elsa awakens to her elegance, beauty and an acting ability that converts her to become one of the most popular figures and admiration of their era. Your presentation in the grand presentation of a toque of refinement and glamor that marco is a generation.

Recordings are made of our interpretations in the game Cuento de Navidad (1959), an adaptation that is a classic navigation, and Lo que importa es vivir (1987), due to the reception of international reviews with impeccable functioning. People, they have the ability to consolidate great emotional depth in the personality as a versatile act, which can play in dramas such as romantic comedies.

For much of her career, Elsa stood out in song and as one of the most popular trends in fashion of her time. For 94 years, there has been a respectful and admired figure, no solo recording for his artistic talent, not for the serenity and gratitude with having been given the rhetos of his personal and professional life.

Irma DorantesOn December 21, 1934, he was 89 years old and one of the more actresses to come out of Mexican film. Your debut in the industry is in 50s, the history of your frescura, of course and a success that has achieved public conquest. There is a connection with the legend Pedro Infante at a menu eclipse on the log, Dorantes can build a solid and solid carrera, disabling the control as one of the cantos.

There are more icons among our películas Pepe El Toro (1953) and Los Gavilanes (1956), showed his versatile interpretation of humanitarian and carisma characters. These productions, with other types that compare credits with great stars of history, consolidate their lugar as one of the most important national films. While starring in the film, Dorantes forays into music, grabbing popular candidates who reflect their versatile talent.

Luz Maria Aguilar, on March 26, 1935, actually 89 years ago, and one of the actresses who uttered an indelible marca in Oro-Mexican film. My debut during the década de 1950, became a success for its classic beauty and an escénica presentation that produced the hacía in a cada project. With your talent you can construct a carrera that consolidates film, theater and television as a versatile and multifunctional artist.

In the film, Aguilar participates in the production as The case of an adolescent (1958) j Los jóvenes (1961), films that reflect their habilidad to interpret papeles with great emotional depth. Your natural elegance and your ability to adapt to different generations, because the drama is played in comedy, the position of one of the more figurative figures of mediocre artistic nature is achieved. Later, when you come across a lugar destacado on the television, you are convinced that there are more and more TV broadcasts.

While figures such as Ana Luisa Peluffo, Elsa Aguirre, Irma Dorantes and Luz María Aguilar live, the fall of Silvia Pinal has generated an intense debate between fanatical fans and social reason.

Your representation is taken into account el verdadero final del cine de oro mexicanoThe argument that Pinal is the única figures that strengthen an international level and consolidate an incomparable artistic legacy.

With this perspective, most actresses, unique talents and destacadas, no impact on the cultural influence, but the marcaría is definitive of this historical and cinematographic film.

While the fall of Silvia Pinal symbolizes the end of an era, the actresses represent a direct connection to the glorious Mexican film. His trabajo and his influence are the record holders of artistic developments in an irresistible era, which Marc has created for generations.

Mexican cinema is alive in the collected memories of these figures, but remains constantly inspired by the audience and the new generations of filmmakers and actors.