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Kathy Bates makes it too fun
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Kathy Bates makes it too fun

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Did you have “Kathy Bates plays a septuagenarian lawyer in a shockingly good ‘Matlock’ reboot on CBS” on your 2024 TV bingo card? Because I sure didn’t!

But in this day and age of TV—with the chaos of streaming and the demise of traditional broadcasting—there’s no limit to the Mad Libs-style antics we’re going to see when it comes to what’s on the air. And it’s even more of a roll of the dice to figure out which remake or reboot of the week is actually good and popular. Or, dare I say, both!

So here we are, and here’s Bates, revered stage actor and Oscar winner, dressed in smart suits and a legal notebook as Madeline “Matty” Matlock in, well, “Matlock” (sneak preview Sunday, 8 EDT/PDT, moves to 9 EDT/PDT Thursday, Oct. 17, ★★★½ out of four). And while it could have been a trainwreck of an intellectual property grab (we’re looking at you, “Murphy Brown” revival), it’s actually a cute little legal drama. Bates, 76, is a darling, the cast is charming, and the legal plots-of-the-week are compelling. For those who’ve been missing a “Good Wife”-style procedural in their lives, this might just scratch an itch. And provide you with a hard candy.

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Because that’s the whole shtick of “Matlock” this time around. Andy Griffith played a disarmingly forceful attorney as Ben Matlock in the original 1986-1995 series, but Bates isn’t who you’d pick as the most dominant lawyer in the room just by looking at her.

Her version of Matlock is a seemingly shy, sweet old lady who no one sees coming when she starts to slam her throat. Her Matty is also a lawyer, but a corporate lawyer, back in the workforce after a long absence due to personal trauma. She worms her way into a fancy firm and starts showing the kids how it’s done, all the while pursuing her own agenda (there’s a fantastic twist at the end of the first episode that I won’t spoil, but make sure you watch until the end).

Matty surprises not only the audience and her legal enemies, but also her colleagues and superiors, such as boss Olympia (Skye P. Marshall), a black woman and top-notch attorney who has had to work harder than her peers to get where she is in her career. Olympia is constantly battling with her ex-husband and corporate fake baby Julian (Jason Ritter, who knows how to smarm). Matty is a thorn in Olympia’s side and a new career rival for junior associates Billy (David Del Rio) and Sarah (Leah Lewis). The sideshow initiated by Madeline is watched with amused disinterest by the head firm honcho Senior (Beau Bridges), who seems to hire Madeline as a private joke but keeps a close eye on her.

It’s a big cast, but creator Jennie Snyder Urman (“Jane the Virgin,” “Charmed”) has balanced the ensemble well in humorous and well-timed scripts. There’s time to get to know everyone in the first two episodes available for review. And two different legal battles to win. The best procedures can do both, and “Matlock,” especially after its big twist, certainly has ambitions as big as those of our best procedures.

We may not get the sweeping courtroom statements that Griffith often employed as Ben Matlock, but there’s something equally (if not more) compelling about the quiet competence that Bates exudes in her performance. Her age is an asset, not a handicap. Matty is the sum total of her life experience, and the beneficiary of the snap judgments of others. It’s always heartening to root for the underdog, especially such a lovable one.

When Max’s “Hacks” — starring Jean Smart, 73 — won a bunch of Emmys last weekend, there was a lot of talk about making TV for and about people over a certain age. I would argue that “Matlock” isn’t just for baby boomers. It’s further proof that stories about people (especially women) across the spectrum of our lives can be compelling. Matty Matlock can be a hero, and so can all the young bucks in the latest Marvel show.

There is no retirement age for good stories.